Design for Rounton Grange Fireplace

Details

Date: 1886
Dimensions: 45.8 x 33
Object Type: design
Catalogue number: A208.4
Designer: Burne-Jones | Edward Coley | Sir | 1833 | 1898
Credit notes: WMG purchase, 1953

The fourth of four cartoons designed and made for the window of a landing in the artist’s house in Rottingdean, Sussex. The windows (now in the V&A: C.623 to 626-1920) encapsulate the story of the Quest for the Sangreal (Holy Grail) and the failure of Sir Sir Launcelot (because of his adultery with Guinevere), Sir Gawaiane (because he fails to live up to courtly ideals), and Sir Galahad (because of his worldliness), and the achievement of Sir Lancelot, due to his purity of spirit.

For references to the windows, see Angela Thirkell ‘Three Houses’, OUP 1931 p. 123.

Details

Date: 1886
Dimensions: 45.8 x 33
Object Type: design
Catalogue number: A208.2
Designer: Burne-Jones | Edward Coley | Sir | 1833 | 1898
Credit notes: WMG purchase, 1953

The second of four cartoons designed and made for the window of a landing in the artist’s house in Rottingdean, Sussex. The windows (now in the V&A: C.623 to 626-1920) encapsulate the story of the Quest for the Sangreal (Holy Grail) and the failure of Sir Sir Launcelot (because of his adultery with Guinevere), Sir Gawaiane, depicted in this cartoon (because he fails to live up to courtly ideals) and Sir Galahad (because of his worldliness) and the achievement of Sir Lancelot, due to his purity of spirit.

For references to the windows, see Angela Thirkell ‘Three Houses’, OUP 1931 p. 123.

Details

Date: 1886
Dimensions: 45.8 x 33
Object Type: design
Material: ink on paper
Catalogue number: A208.3
Designer: Burne-Jones | Edward Coley | Sir | 1833 | 1898
Credit notes: WMG purchase, 1953

The third of four cartoons designed and made for the window of a landing in the artist’s house in Rottingdean, Sussex. The windows (now in the V&A: C.623 to 626-1920) encapsulate the story of the Quest for the Sangreal (Holy Grail) and the failure of Sir Sir Launcelot (because of his adultery with Guinevere), Sir Gawaiane (because he fails to live up to courtly ideals), and Sir Galahad, depicted in this cartoon (because of his worldliness), and the achievement of Sir Lancelot, due to his purity of spirit.

For references to the windows, see Angela Thirkell ‘Three Houses’, OUP 1931 p. 123.

Details

Date: 1886
Dimensions: 45.8 x 33
Object Type: design
Catalogue number: A208.1
Designer: Burne-Jones | Edward Coley | Sir | 1833 | 1898
Credit notes: WMG purchase, 1953

The first of four cartoons designed and made for the window of a landing in the artist’s house in Rottingdean, Sussex. The windows (now in the V&A: C.623 to 626-1920) encapsulate the story of the Quest for the Sangreal (Holy Grail) and the failure of Sir Launcelot, depicted in this cartoon (because of his adultery with Guinevere), Sir Gawaiane, (because he fails to live up to courtly ideals) and Sir Galahad (because of his worldliness).

The cartoons were presented to Lady Leighton-Warren by the artist.

For references to the windows, see Angela Thirkell ‘Three Houses’, OUP 1931 p. 123.

Details

Dimensions: 86.4 x 76.2
Object Type: design
Material: paper
Catalogue number: A305
Designer: Morris, William, 1834, 1896
Credit notes: WMG purchase, 1960

Morris’s connection with Christianity was as much aesthetic and historic as spiritual. Originally planning to join the clergy, his contribution to religious life instead came through preserving historic churches and supplying interior decoration such as stained glass windows and textiles. This design, delicately rendered in pencil and watercolour, forms part of the repeat pattern of an embroidered frontal, a cloth used to decorate the altar during services. The grape and vine is a popular motif in ecclesiastical textiles, a reference to the wine that signifies the blood of Christ in the Christian service. This embroidered frontal was advertised in the Morris & Co. catalogue as “a festival altar frontal, 9 ft. wide (capable of being extended) worked in Morris floss silks and gold on ivory satin” and sold for £125.

Object Type: design

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