Sketch design for two-light window

Details

Date: c. 1935
Dimensions: 25.4 x 15.3
Object Type: design
Material: pencil, ink and watercolour on paper
Catalogue number: A657
Designer: Whall, Veronica (1887 - 1967)
Credit notes: Presented by C. J. Whall, 1973

Design for window by Veronica Whall, depicting Moses and Angel and the Baptism of Christ, with plain glazing above and below subject panels.

Details

Dimensions: 52.2 x 28.2
Object Type: design
Material: pencil, ink and watercolour on paper
Catalogue number: A675
Designer: Whall, Veronica (1887 - 1967)
Credit notes: Presented by C. J. Whall, 1973

Details

Date: 1949
Dimensions: 28.2 x 19.1
Object Type: design
Material: pencil, ink and watercolour on paper
Catalogue number: A683
Designer: Whall, Veronica (1887 - 1967)

Stained glass window design by Veronica Whall for the south-aisle three-light window in Church of All Saints Blaby, Leicester. The windows depict: Centre light: St. Ann & Our Lady as a Child; Left-hand light: Angel’s annunciation to St. Joseph; Right-hand light: Birth of Our Lady.

Details

Date: 1949
Dimensions: 28.4 x 19.3
Object Type: design
Material: pencil, ink and watercolour on paper
Catalogue number: A681
Designer: Whall, Veronica (1887 - 1967)

Details

Date: 1892
Dimensions: 25.15 x 6.48
Object Type: design
Material: pencil, ink and watercolour on paper
Catalogue number: A50c
Artist: Image, Selwyn, 1849, 1930
Commissioner: Century Guild
Credit notes: Mackmurdo bequest, 1942

The Century Guild were commisoned to design six stained glass windows for the Loretto School Chapel, Musselburgh, Scotland. The chapel was built between 1891 and 1893 as a gift to Dr. Almond from Old Lorettonians. This design, depicting the presentation of Jesus in the Temple, was created by Selwyn Image, it is in three parts (A50a-c). The finished window was executed by James Powell & Sons and is also in the collection (C112). The other five windows depict Christ disputing with the Doctors in the Temple (see original designs: A78-90); The Crucifixion; The Ascension (see original design A57); Christ and St Mary Magdalene and Christ at Emmaus (window now in the V&A).

Details

Date: 1892
Dimensions: 25.15 x 6.48
Object Type: design
Material: pencil, ink and watercolour on paper
Catalogue number: A50b
Artist: Image, Selwyn, 1849, 1930
Commissioner: Century Guild
Credit notes: Mackmurdo bequest, 1942

Details

Date: 1892
Dimensions: 25.15 x 6.48
Object Type: design
Material: pencil, ink and watercolour on paper
Catalogue number: A50a
Artist: Image, Selwyn, 1849, 1930
Commissioner: Century Guild
Credit notes: Mackmurdo bequest, 1942

Details

Date: c. 1891
Dimensions: 101.6 x 68
Object Type: design
Material: pencil, ink and watercolour on paper
Catalogue number: A37
Artist: Dearle, John Henry (1859 - 1932)
Credit notes: WMG purchase, 1940

John Henry Dearle joined Morris’s employment in 1878 as an assistant in the Oxford Street showroom of Morris & Co., before being transferred to the glass painters’ studio and becoming an apprentice tapestry weaver. He eventually went on to become Art Director of Morris & Co. upon Morris’s death in 1896. After many years of training alongside Morris, Dearle began creating distinctive patterns in his own right. ‘Daffodil’ is one of his most successful early patterns. It combines the strong diagonal repeats favoured by Morris with attractive floral motifs. ‘Daffodil’ was extremely commercially popular and was used in many interiors designed by Morris & Co.

This design was for a printed cotton which was to be created using woodblocks. To the right of the image there is an instruction to the blockmaker. The William Morris Gallery also holds 10 woodblocks for the design.

Material: pencil, ink and watercolour on paper

Pages

Archives

Categories