Morris Mania

How Britain’s greatest designer went viral

EXHIBITION

On now until Sunday, 21 September 2025

William Morris (1834-96) has gone viral. Today, we find his infinitely-reproduced botanical patterns on shower curtains, phone cases, on film and TV, and in all corners of our homes, dentist waiting rooms and shopping centres.

One of our greatest designers, Morris argued that beautiful objects could only be created through a responsible and close relationship with the natural world and enjoyable, creative working conditions. These principles continue to influence subsequent generations of designers, makers and consumers today.

Morris Mania will explore a complicated legacy. Over 125 years since his death, Morris’s work continues to grow in popularity. His patterns are now affordable, well-loved and available to people across the globe, something he failed to achieve in his lifetime. However, this has been achieved in the context of mass-production, computer-generated design, global capitalism and environmental crisis. Morris Mania will consider the ongoing impact of Britain’s most iconic designer in our increasingly cluttered and commodified world.

Objects from William Morris Gallery and private and public international collections will include a ‘Rose’ patterned seat from the 1980s British Nuclear Submarine Fleet, ‘Willow’ pattern Nike trainers, and Loewe fashion inspired by Morris’s designs. The exhibition will also feature Morris-patterned objects donated by the public. Revealing how the designer’s work has permeated our everyday lives, visitors are invited to continue to lend and donate their own Morris-print objects throughout the course of the exhibition. Morris-patterned donations to date include chopsticks, a waving cat from Japan, hand-embroidered wedding jackets, Wellington boots and an array of mugs and biscuit tins.

The exhibition will feature Wallpaper (2025), a newly-commissioned work by archive documentary filmmaker Natalie Cubides-Brady, exploring how William Morris’s designs have been used in screen history. A montage of scenes from film and TV will reveal the diverse and sometimes surprising range of narratives, settings and moods that Morris designs conjure up. Cameos in everything from My Fair Lady, Sunday Bloody Sunday and Django Unchained, to Gogglebox, Coronation Street and Peep Show, highlight how Morris designs form part of the fabric of 20th- and 21st-century popular culture.

Morris Mania is curated by Hadrian Garrard, Director of William Morris Gallery. Part of the Gallery’s 75th Anniversary Year programme, the exhibition will be accompanied by an exciting programme of events and activities at the Gallery.

Exhibition design by Sam Jacob Studio.

Read the full press release on our News page.

Our Morris Mania appeal for objects to include in the exhibition is still open. Read more about donating and lending.

Living with Morris

We are also excited to be developing a Living with Morris Archive of photographs from the public, that explores how Morris’s designs provide a backdrop to everyday life. Do you have a photograph you’d like to share? It might feature a Morris-patterned chair, curtains, or wallpaper from your home either now or from your childhood? Or something more unexpected—perhaps a handmade item, something that you have made, or even a tattoo…

Send your photos to wmg.enquiries@walthamforest.gov.uk in a high resolution format. In sending your images you will be granting permission to share on social media and in our exhibition’s display.

 

An elderly Frank Brangwyn sits at a table with evacuee children

Work by Austrian, German and Swiss Artists

From the Collection of Frank Brangwyn

EXHIBITION

Saturday 6 September 1997 - Sunday 4 January 1998

Frank Brangwyn (1857 to 1956) was one of the founders of the William Morris Gallery. Read more about him here.

This exhibition features work collected by the Welsh artist.

Image: Frank Brangwyn with evacuee children at Ditchling

A bust of William Morris inside the William Morris Gallery

Collecting Arts and Craft

Celebrating the 10th Anniversary of the Friends of William Morris Gallery

EXHIBITION

Tuesday 9 June - Saturday 12 September 1998

Founded in 1988, The Friends of William Morris Gallery help to maintain the high standards of the gallery.

This exhibition celebrates a decade of its support.

Join The Friends of William Morris Gallery.

Edward Burne-Jones stands behind William Morris, who is sitting on a bench in the garden at The Grange

The Romance of the Rose

The Rounton Grange Embroideries and other works

EXHIBITION

Tuesday 3 November 1998 - Sunday 7 March 1999

Painter and designer Sir Edward Coley Burne-Jones (1833 to 1898) became good friends with William Morris at Oxford University.

In 1861, Burne-Jones was one of the six partners Morris worked with to found Morris, Marshall, Faulkner and Co, which would go on to become Morris & Co. He designed a wide range of items including ceramic tiles and tapestries.

Sir Isaac Lowthian Bell and his wife Margaret commissioned a frieze in five parts for the dining room of Rounton Grange, Northallerton, Yorkshire. The panels depict the story of The Romaunt of the Rose by Geoffrey Chaucer and were based on original pictures drawn by Burne-Jones. The exquisite embroidery was executed by the wife and daughter of Sir Isaac Lowthian Bell, Margaret Bell and Florence Johnson, respectively.

Image shows Edward Coley Burne-Jones and William Morris.

Christopher Whall

The Making of an Arts and Crafts Glazier

EXHIBITION

Friday 16 April - Sunday 4 July 1999

Christopher Whall (1849 to 1924) was a British artist and important figure in the history of stained glass in 19th and 20th century Europe.

This exhibition celebrates his work.

Image: Adam and Eve Before God by Christopher Whall.

Chintz of birds and strawberries

Beauty, Imagination and Order

William Morris and Textile Design

EXHIBITION

Tuesday 6 June - Tuesday 7 November 2000

William Morris pioneered a new and refreshing approach to design and manufacture, championing hand craftsmanship during a time in British history when industrial mass-production was at its peak.

This exhibition shines a spotlight on Morris’s innovative and timeless designs, which continue to be produced today.

Image shows a sample of Strawberry Thief printed cotton.

The front of William Morris Gallery in Lloyd Park, Walthamstow

William Morris Gallery Fifty

A landmark exhibition

EXHIBITION

Saturday 21 October 2000 - Saturday 20 January 2001

In 1935, artist and former apprentice to William Morris Frank Brangwyn, signed a trust deed with the then Walthamstow Borough Council to set up William Morris Gallery.

‘The William Morris Gallery and Brangwyn Gift’ opened to the public in October 1950. This exhibition celebrates the gallery’s first half century of bringing the work of Morris, and the people who worked with him and have been inspired by him, to the public.

Pattern with large floral motif

The Century Guild

Pattern Designs, Textiles and Wallpapers of the 1880s and 1890s

EXHIBITION

Saturday 26 May - Sunday 7 October 2001

The Century Guild was an influential association of artists, designers and craftspeople, established by architect and designer Arthur Heygate Mackmurdo (1851 to 1942.) His work features in this exhibition alongside the work of poet, architect, typographer and designer, Herbert Horne (1864 to 1916.)

Line drawing of the front of Kelmscott Manor

Kelmscott Manor

FH Evans and EH New

EXHIBITION

Tuesday 9 April - Sunday 4 August 2002

In 1896 Morris invited Frederick Henry Evans (1853-1943) to photograph Kelmscott Manor, his country home in Oxfordshire. Morris and his wife Jane shared the house with the Pre-Raphaelite painter Dante Gabriel Rossetti from 1871 to 1874, and it remained a country retreat for Morris and the artists and intellectuals in his circle until his death in 1896.

In 1895, Edmund Hort New (1871-1931) was invited to Kelmscott Manor and went on to provide design work for Morris’s Kelmscott Press.

This exhibition shows work from both men capturing Morris’s home.

Image: Kelmscott Manor by EH New.

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