6Designs by William Morris and other members of the Morris Firm. ‘The Morris Collection’, hand printed by Sanderson & Sons, 1964.
1. Compton, William Morris, 1896. Three shades of light green, two shades of pastel blue, buff, dull pink, white on deep green.
2. Norwich, William Morris, c. 1862-96. Light brown outline, pale lime green, pale green, pale pink, yellow ochre, dull pastel blue, on dull pastel blue ground with gold stippling (original colourway).
3. Pimpernel, William Morris, 1876. Two shades of blue, three shades of pink-purple, several shades of light grey-greens on dark olive green (original colourway).
4. Golden Lily, J. H. Dearle, c. 1880-1917. Brown outline, two shades of pink, two shades of turquoise blue, pale pastel green, light greens and yellow ochre on white.
5. Seaweed, J. H. Dearle, early twentieth century. Two shades of pale green, two shades of light blue, salmon pink, cream on deep blue with lighter blue stippling.
6. Fruit (Four Fruits or Pomegranate), William Morris, 1862. Dark green outline, two shades of grey for outline, grey-green twigs, dull yellow ochre, brown, grey-brown with, grey-green.
7. Honeysuckle, May Morris, 1883. Brown outline, three shades of green for outline, leaves and leaf shading, yellow, buff, light red on cream.
8. Vine, William Morris, c. 1873. Two shades of dull purple, three shades of dull green, blue on darker blue ground.
9. Celandine, J. H. Dearle, c. 1896. Light green, pale and mid-olive green, two shades of blue, yellow and yellow ochre and two shades of pink on white.
10. Chrysanthemum, William Morris, 1876. Lime green outline, pale grey-greens, dull beige on dark green ground.
11. Persian, J. H. Dearle, late 19th century. Salmon and deep pink, three shades of light green, light pastel blue on white.
12. Garden Tulip, William Morris, 1885. Two shades of sugar pink, lime green outline, two shades of pale green on duck-egg blue ground with white arabesques.
13. Garden Tulip, William Morris, 1885. Green outline, light olive green, pink, and red on cream ground with light ochre arabesques.
14. Harebell, J. H. Dearle, c. 1911. Green outline, two shades of light and pale green, two shades of light and mid-blue, pale yellow on white.
15. Sweet Briar, J. H Dearle, c. 1912. Pale pink, dark pink, brown, three shades of light green.
16. Bruges, William Morris, c. 1887-87. Light and dark yellow ochre on white.
17. Bruges, William Morris, c. 1887-87. Deep purple-blue and deep jade green on purple-blue ground.
18. Planet, J. H. Dearle, late nineteenth century. Pale dusty pink, pale brown, pale grey on white with green yellow stippling and flower heads.
19. Planet, J. H. Dearle, late nineteenth century. Two shades of green and dull turquoise on white with yellow ochre stippling and flower heads.
20. Indian, George Gilbert Scott, c. 1868-70. Light brown, black on deep puce.
21. Indian, George Gilbert Scott, c. 1868-70. Iron grey, light green-grey on light brown-grey ground (original colourway).
22. Net ceiling, William Morris, 1895. Two shades of dull turquoise blue, pale lime green on white.
23. Net ceiling, William Morris, 1895. Yellow ochre, light pink-brown, light grey on buff.
24. Sunflower, William Morris, 1879. Cream on dark buff-beige (original colourway).
25. Sunflower, William Morris, 1879. Light grey-blue on darker tone ground.
26. Sunflower, William Morris, 1879. Gold leaf on dark blue.
27. Willow Bough, William Morris, 1887. Four shades of green, light brown on cream.
28. Willow, William Morris, 1871-74. Two shades of grey green leaves on molten blue and grey ground.
29. Willow, William Morris, 1871-74. Two shades of yellow on white.
30. Horn Poppy, May Morris, c. 1885. Red and white on deep salmon pink with lighter pink stippling (N.B. colouring not quite identical with [original number] 173, which has a red-brown outline on dusty pink).
31. Horn Poppy, May Morris, c. 1885. Blue outline and white on pale blue with turquoise blue stippling.
32. Marigold, William Morris, 1875. Light grey-green on darker ground.
33. Marigold, William Morris, 1875. White on yellow ochre ground.
34. Marigold, William Morris, 1875. White on stone ground (original colourway).
35. Bachelor’s Button, William Morris, 1892. Dull green outline, pale green shading, white on pale blue.
36. Bachelor’s Button, William Morris, 1892. Ochre outline, yellow shading and white on pale green.
37. Bird and Anemone, William Morris, 1881. Light rose on dark rose ground.
38. Bird and Anemone, William Morris, 1881. Light grey-green on darker tone ground.
39. Bird and Anemone, William Morris, 1881. White on grey.
40. Michaelmas Daisy, J. H. Dearle, 1912. Pale blue and light green on white.
41. Michaelmas Daisy, J. H. Dearle, 1912. Purple and light green on white.
42. Queen Anne, (attributed to) William Morris or Chambrey Corker Townshend, c. 1868-70. Orange on olive brown with deep red stippling.
43. Queen Anne, (attributed to) William Morris or Chambrey Corker Townshend, c. 1868-70. Bright yellow on yellow ochre with gold-yellow stippling.
44. Indian, George Gilbert Scott, c. 1868-70. Gold leaf on white.
45. Indian, George Gilbert Scott, c. 1868-70. White on black.
46. Indian, George Gilbert Scott, c. 1868-70. Dull scarlet on light brown.
47. Larkspur, William Morris, 1872. Light grey-blue on white.
48. Larkspur, William Morris, 1872. Yellow on white.
49. Larkspur, William Morris, 1872. Grey on white.
50. Larkspur, William Morris, 1872. Red on burnt orange.
51. Borage ceiling, William Morris, 1888-89. Pale yellow on white.
52. Borage ceiling, William Morris, 1888-89. Dark olive on lighter olive ground.
53. Pink and Rose, William Morris, 1891. Very pale pink on light pink.
54. Pink and Rose, William Morris, 1891. Silver on white.
55. Poppy (Pink and Poppy), William Morris, 1880. Deep purple-pink outline on purple-pink
56. Poppy (Pink and Poppy), William Morris, 1880. Gold outline on mid lime-green.
57. Poppy (Pink and Poppy), William Morris, 1880. Light green outline on white.
58. Mallow, Kate Faulkner, 1879. Silver on grey.
59. Mallow, Kate Faulkner, 1879. Pale yellow on white.
60. Acorn, William Morris, 1879. Dull light copper brown on deeper tone.
